“He just looks at stuff like a little brother would and I’m like, ‘You have to realize how serious people take you.'” Another cast member, Florence, chimed in on the growth she's also encountered while on the show. “I talked to Safaree a lot because to me Safaree kind of reminds of like a younger brother and his decisions are sometimes a little more childish and immature, but he’s a fun person,” Kirk explained. ![]() On the other hand, her husband Kirk, enjoys being that person to lean on for the guys on the show. “I always try to be a shoulder for people who know that if they call me they’re gonna be the real deal.” “I just try to keep it real with them by being transparent,” she continued. "It's just anytime people are going through things that I know I've experienced, and a lot of times I've gone through those same things, I remember I didn't have anybody to help me, Rasheeda told Shadow & Act. “It’s not even about necessarily taking under my wing,” she explained. ![]() While it would seem that Rasheeda has taken someone like Gates under her wing, the series veteran revealed that it’s more about connecting with others on the show who are experiencing something that she has previously encountered. Additionally, she recalled how much she relates to her fellow Love & Hip Hop cast mate. This time, I’m more pleasant.” During the interview, she thanked Rasheeda for encouraging her to be open-minded when it comes to the relationships in her life. ![]() “ just really letting my guards down and my whole love situation this season, because in the past seasons I was this mean boss chick, just having that toughness about me. “I’m excited for fans to see me just being vulnerable,” said Sierra Gates as she prepares to return to the reality series. The Love & Hip Hopfranchise is back for an anxiously awaited season in Atlanta and Shadow & Act Unscripted caught up with some of the cast to chat about the upcoming season.įrom being vulnerable to providing newer folks on the scene with advice as veterans, there is never a dull moment amongst the ensemble for the second installation of the Mona Scott-produced production.
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